Analyze

EEC is the writing team for 10Strands,  CCEJ project for 8th grade curriculum.

EEC is organized as a collaborative (initially they were made up of over 75 organizations that include School District representation) with a board of trustees (13 members). Mary Walls, who is on a 10S writing team, is the chair of this org. In addition they have an Advisory Board. Their website lists 13 sponsors and 3 "grantors' including SoCal Edison. They describe themselves as a grassroots alliance.

The EEC seems to have officially started in Feb 2015 with their first EEC Symposium although planning meetings began in 2014 following the Stanford University Collaborative Impact Model.

On their website the EEC thanks the iecf Inland Empire Community Foundation a non-profit, public charity

The EEC offers piad workshops--their most recent on in Winter 2022 features Mary V and Mary Walls (Board Chair of EEC) as Workshop leaders on Land Acknowledgements and Decolonializing educaiton.

The EEC's websites lists many resources (organizations, guides) focused on Environmental; Agricultural, Professional development

In addition, they sponsor a bilingual art/writing and video contest annually seemingly for school age children. Recent topics include: Air and Justice (2021); Water & Water Justice (2022)

Mission statement:  Creating a sustainable and just future through environmental learning experiences for all.

They execute their mission through funding, policy and program resources In Riverside and San Bernardino Counties

In addition they envision communities where a) every person can experience nature everyday; b) teachers and envied providers have resources; c) enviro literacy is an essential component of child development

The Weldon Spring Interpretive Center was a discursive jamboree for those of us curious about how anthropocenics are narrated. This particular display at the center stood out to me becuase of its resemblance to other interpretive center or science museum displays representing the "life cycle" of an organism or of cycles of ecosystem conditions (e.g. forest succession). One of the first displays visitors see upon entering the center, the display's format and captions read to me as a clear attempt to control the discourse about nuclear contamination and remediation in the area. The image--or its creator--wants to do the work of suggesting that the clean up process has brought the place "back to how it was," cycling back to a good beginning. The text used in this display is exclusively neutral or positive. The arrows moving from each circle to the next purports to display how "this area has served many purposes over the years." It states "these exhibits are designed to educate you on the history, science, and efforts of many to bring the Weldon Spring site full circle." In this cycle, Weldon Spring is not a hazardouse waste site or contaminated site but rather "a site for remedial action." Thus we are to see the space as a "home to many people," then "a TNT and DNT plant," then "a uranium feed and matierals plant," then "a site for remedial action," "an extensive cleanup effort," "a successful solution," and, finally, "a place to enjoy and learn." In this emphasis on a "return" to good conditions, the displacement of residents, health issues plant workers and others' faced, and the uncertainties or messiness of what adequate clean up is are omitted. In this image, and in much of the interpretive center, the discourse around nuclear materials, its effects and cleanup, is neatened, simplified, into a narrative that de-emphasizes the actual health impacts of these processes and of the political wherewithall that was required to make that remediation happen.

The notion of cycling back to something is a particularly intriguing move

children were tested for lead poisoning and their was a correlation between those who had lead poisoning and those who were homeless or a victim to poverty.