1. Songs as artifacts,
2. Faith in God enables their forgiveness: how does the belief in God and in Amis ancestor co-exist? (阿美人有祖靈概念嗎?)
3. 遷徙的過程: 從美山，新莊到新竹，從打漁到打零工，這一路轉換對阿嬤個人，她的家庭以及部落代表著什麼?以及這段小歷史如何被鑲嵌在大歷史的脈絡中?
When attending court hearings related to the Formosa Plastics Naphtha Cracker case, sociologist Paul Jobin frequently creates his own drawings. The drawings are necessary for legal reasons, since the court does neither permit audio recordings or photography, but written transcripts are allowed. The illustrations serve as supplements to the written notes, but also as devices to focus his attention on both interactions and language use. As civic data, the drawings point to the legal regimes that govern the creation of (legal) data in Taiwan and elsewhere.