Analyze

This image is related to my research because it focuses on how air monitoring can be conducted in cities.

The data is made available through the works of thousands of global collaborators. From NGOs, to activist, to researchers and various community organizations. The platforms mission is to create a space to make these globalized mobilizations more visible and collaborative. The goal and purpose of the EJ Atlas based on the founder and site:, “The EJ Atlas collects these stories of communities struggling for environmental justice from around the world. It aims to make these mobilization more visible, highlight claims and testimonies and to make the case for true corporate and state accountability for the injustices inflicted through their activities. It also attempts to serve as a virtual space for those working on EJ issues to get information, find other groups working on related issues, and increase the visibility of environmental conflicts.”

I first read Gayatri Spivak's, "Can the Subaltern Speak?," many years ago and re-reading it now offers a different context and path to making sense of this work. First, Kim Fortun's contextual introduction is a generative space from which to read this brilliant and complex critique of the Subaltern Studies collective. She provides an opening from which to re-think the place of scholarly engagement within, and as participants of, communities of practices inspired by the research Katie Cox and Angela Okune. Fortun's introduction is a pedagogical gesture, a reflection on her own teaching and learning over time. In re-reading this essay, I can see now that Spivak's essay is also a gesture, opening a place of critique as the grounds for re-imagining and reclaiming the possiblity of Subaltern voices. Spivak highlights the assumptions, the metanarratives, embedded in the collective's historiographical practice as a form of knowledge production.

I have two reflections. First, in reading Spivak's critique of historiography both specific (Guha and Chakrabraty) and more general (Western European) and her analysis of their strategic utility is persuasive. I am reminded of other forms of historiography--specifically microhistory--which also engages in the practice of reading the archive against the grain and which, by avoiding making claims about broader historical patterns and systems, is not subject to Spivak's analysis of historiography. I wonder what microhistorical work emerges from the colonial archive.

My second reflection is more broadly about critique as a generative opening. In the zoom discussion there were moments when contributors began mapping their own encounters with theory (French, German), almost as a rite of passage. I began wondering what other genealogies we bring to our work. This text is a tour de force. It is powerfully incisive. Prerna Srigyan spoke of the multiple meanings of "dangerous" within it. As a strategic text, I find the difficulty in reading Spivak exasperating. As a narrative strategy I think the difficulty is, in part, intentional, which compounds my interpretation. I cannot read Spivak and find affinity, even as I recognize her masterful critique. In a prior discussion Duygu Kasdogan introduced me to the idea of dissenus, as opposed to consensus, as a strategic goal. In reading Spivak as critique, perhaps Spivak is an author willing to position herself not as a guide for collaboration but as a figure of dissenus even as she works to create this generative opening for further work.