Analyze

In the interview with Emily Roehl, artist Steve Rowell describes his style in contrast to the more "didactic" approach of land use and documentary photography. Instead, he has come to combine his visual works with sound installations that are meant to unsettle. These sounds are often generated based on air pollution data that he has collected (Roehl and Rowell, 2022, p. 137). Rowell further describes how changes in the development of aerial video and photography technology have shaped his work. In the past, Rowell would rent expensive camera equipment and attach them to a helicopter to generate fly-over images (Roehl and Rowell, 2022, p. 140). Though commercial drones have become available, Rowell says that he soon got dissatisfied with the "slick" images they produce. When using drones, Rowell relies on an angle that faces down or is close-up, creating feelings of uncanniness. These unusual perspectives are combined with split imagery and mirroring to achieve a specific effect: “There’s a value in giving the viewer/listener a chance to distrust the work in the same way there’s value in giving them room to question the work. The landscapes I feature are all altered. What landscape isn’t now? That’s the point.” (Roehl and Rowell, 2022, p. 140).

Steve Rowell is an educator and research artist, currently working on “long-term projects that use image, sound, and archival practice to interrogate the relationship between humans, industry, and the environment” (Roehl and Rowell, 2022, p. 136). Rowell has worked extensively with the Center for Land Use Interpretation (CLUI) in Los Angeles, including a comissioned project for which he photographed every petrochemical plant in Texas (ibid, p. 137). In subsequent projects, he has focused on tracing pipelines going from the Alberta Tar Sands to petrochemical communities in Long Beach, California and Port Arthur, Texas. Another recent project focuses on the industrial ecology of Houston's Buffalo Bayou. 

Formosa Plastics publishes a quarterly newspaper called 親親報報 Qin Qin bao (engl. kiss kiss hug). A group of citizen journalists by the Taiwan Environmental Information Center and the initative FPCC Go Away have criticized the newspaper for different attempts of greenwashing (Wu 2015). The newspaper issues include arguments guaranteeing the safety of the 6th Napthha cracker's emissions, interrogrations of research about high PM 2.5 levels in the county and statements about supposed local population growth.

A 2012 blog entry by FPCC Go Away analysis the distribution and publication practices of the newspaper. Notably, the authors point out that an issue of the newspaper addressing PM 2.5 levels was re-published and distributed in the days leading up to a public speech by Prof. Zhan Chang-quan (Department of Public Health at National Taiwan University) who had studied air pollution in the county. 

The article focuses on the analysis of border control agencies and practices of coordinating, classifying and deploying data.  The authors' primarily goal is outlining these processes, opening up possibilities for future analysis of power relations (p. 65). Our shared research question further encourages us to ask how different actors and publics could critically engage with the data practices.