Analyze

The authors "define disaster media as a heuristic, or approach, that recognizes the ways “natural” and human-made disasters are communicated about, constructed, and variously exacerbated or relieved through media means. This heuristic is not simply a temporary model for problem solving but tries to account for ecological forces and material conditions" (my emphasis).

They close the article with three provocations:

1) All Media on Deck: the current moment of combo disaster (COVID and climate crisis) requires the production of more public and open access materials (of various kinds), but also boosting of media literacy. The auhtors acknowledge the conundrum of producing more media, while being confronted with sustainability issues and the call for "no-carbon" media.

2) Relief and media Production: a critical look at the kinds of assumptions that governments/NGOs/industry bring to COVID-19 relief efforts (videos, websites, maps, algorithms...) -- what counts as relief and for whom? 

3) Focus on Social and Environmental Justice: "In moving forward, it will be crucial to approach disaster media as a domain in which structural reform agendas that interweave social and environmental justice can flourish."

In the article, the authors address visualizations of COVID cases, including related satellite mages of air pollution in Southern California and China (generated by NASA/ESA) as well as of mass graves in Iran.

First, they provide basic framing of how to critically read air pollution satellite imagery. Connections between COVID-19 measures and improvements in air pollution are not identifiable in a straightforward way.

"Figure 1a, for instance, uses bright magenta to indicate greater concentrations of nitrogen dioxide and light blue to signify cleaner air. However, such color choices can be misleading: there is no material correlation between nitrogen dioxide and the color magenta; and reduced traces of this chemical do not turn the sky a paler shade of blue. [...] color-coding selections imply, satellite images are not just scientific; they are cultural as well."

Second, they point out the paradox role of satellite imagery to account for the inequitable impact of COVID-19

"satellite image, from a US satellite operator, locates pandemic “excesses” in an Iranian “elsewhere.” But this is an increasingly deceptive proposition, given that the United States has one of the highest COVID-19 per capita transmission and fatality rates in the world."

Third, they draw comparisons between the "hockey stick" visualization of global Climate Change and the various "curves" used to display COVID-19 developments:

From a disaster media perspective, the film’s global warming graph depicts a dramatic climate shift, projects imminent catastrophe, and issues a world warning. Its circulation in global media culture for the past fifteen years potentially informs the ways people are engaging now with similar-looking charts of coronavirus death and illness. Historically, news media have relied on sensationalistic photos of human suffering to convey a sense of disaster, but in the age of big data and the current pandemic, numbers speak, and graphs and curves tend to dominate the mediascape. In both cases, scientific experts and publics must grapple with how these graphs make meaning, what datasets they rely upon, and how these media come to stand in for highly complex conditions.

Finally, they remark that COVID-19 visualizations are always incomplete - because of lack of testing and withholding of data - but also because stories of e.g. workers are missing. They reference the cover of the New York Times (May 24, 2020) that displayed the names of 100,000 people who had died from COVID.

The article points out the simulation Crimson Contagion that was run by the Department of Health in 2019.

"Despite all of the pressing unknowns of the disease, one cannot call its emergence unpredictable. A simulation by the US Department of Health and Human Services, code-named Crimson Contagion, ran from January through August 2019. The aim was to prepare for the effects of an influenza pandemic. The findings reportedly “drove home just how underfunded, underprepared and uncoordinated the federal government would be for a life or-death battle with a virus for which no treatment existed” (Sanger et al. 2020)"

They also note the rise in Internet usage, pointing to environmental and energy implications:

"[C]oronavirus capitalism is interwoven with digital capitalism (Schiller 1999; Terranova 2004; Fuchs 2019). The pandemic has prompted a massive rush to online spaces of work and leisure activities. It is estimated that the COVID-19 pandemic has increased total internet use by 70 percent (Beech 2020)."

"Yet with this surge in online activities and virtual gatherings, the COVID-19 crisis has both exacerbated and laid bare the internet’s rising energy dependency, its growing carbon footprint, and issues of energy justice. The challenge is to be able to address crises of various kinds while reducing fossil fuel use especially, and developing sustainable and equitably managed energy sources. There is a burgeoning scholarly literature about the ill effects of the nuclear, petroleum, coal, and hydroelectric energy sources that power the grid and about the environmental devastation their industrial incursions wreak. In the meantime, the impacts of extraction and production of the various energy forms that keep the grid and the internet operating are often toxic and inequitable." 

Finally, they point to the connection between media and health, including civic archiving of HIV activists.

[F]ilm and media scholarship on public health [...] not only serves as crucial context for the COVID-19 pandemic but also extends the conceptual contours of disaster media to include disease and illness, outbreaks and pandemics, and the ways government agencies address or fail to address health-related crises. Alexandra Juhasz’s book AIDS TV (1995) explores community educational initiatives and activist videos that became vital means of conveying information about and perspectives on HIV transmission during the 1980s and '90s and continuing public health crises. Addressing media portrayals of other outbreaks, Kirsten Ostherr’s Cinematic Prophylaxis (2005) critically examines Hollywood films “that represent the spread of contagious disease across national borders.” In it Ostherr argues, “Audiovisual materials play a crucial role in the articulation of world health, not only as vehicles of educational and ideological dissemination, but also as metaphors for the spread of disease within the processes of globalization” (2). Her study sheds light on the current COVID-19 crisis by demonstrating how outbreaks become disaster media.

Nanjala Nyabola, a Kenyan journalist and author tweeted: 'There were two anti-police brutality protests in Nairobi today. The one featuring white people made it's way to the US embassy undisturbed. The one led by working class and poor folks ended in teargas and arbitrary arrests.'

On March 25, 2020 the Kenyan government imposed a curfew to limit movement in Nairobi to prevent the spreading of COVID-19. In the ensuing months, the police 'enforced' the curfew by killing as many people as COVID-19 in Nairobi. The police have had a long and bloody history in Nairobi. Missing Voices Kenya have documented the shocking number of people who have lots their lives to police brutality over the years. Although groups in poor neighbourhoods such as Mathare have long held protests against police violence, the recent murder of George Floyd in the US has lent momentum to this movement. Thus, these groups took to the street to walk to the apartment where Yasin Moyo, a 13 year old playing on his balcony was killed by police, to demand that Black lives mattered- everywhere. The protests ended in the police tear gassing protestors.

A separate group comprising of many white protestors marched to the US Embassy to protest extrajudicial killings in the US and Kenya. From reports I have been reading about the protests on Twitter, these groups were left unharmed by the police. It is thus important that we recognize the the situatedness of protests agains police violence in different parts of the world, and the specific histories and contexts that shape each one of them, while recognizing their common themes.

St. Louis: Award winning (US Society of Environmental Journalists)  2001 journalism on health hazards in Weldon Springs.

https://www.riverfronttimes.com/stlouis/the-right-to-answers/Content?oi…

I'm interested in better understanding the ongoing geological processes that shape St. Louis and the Mississippi Valley region. So far, I've been looking into the history of seismicity in the region, focusing on the fascinating but little known history of the New Madrid earthquakes of 1811 and 1812 -- the most devastating earthquakes to have hit the US east of the Rockies. I've also been exploring how St. Louis and surrounding areas are dealing with the possibility of another earthquake occurring in the future. According to one article I read, one of the biggest uncertainties is what would happen to the heavily engineered Mississippi River in the case of another major tremblor. The shaking could break the levees, flooding wide areas along the river and creating cascading effects. The flow of the river might also reverse completely, as occurred during the New Madrid earthquakes.

On these possibilities and the lack of scientific consensus surrounding intraplate seismicity in this zone, see this article in The Atlantic.

On current efforts to create earthquake hazard maps in St. Louis, see this overview on the US Geological Survey site.

For a deeper dive into the history of the New Madrid earthquakes, see this book by historian of science Conevery Bolton Valencius. 

A brief essay about St. Louis' notorious eminent domain history--

--along with 2 recent St. Louis Post-Dispatch articles about "urban renewal" projects that are scheduled to reoccupy the Mill Flats area, which hosted the most notorious episode of displacement of African-American communities: the Chouteau Greenway project (will it serve or displace low-income St. Louisans?); and SLU's Mill Creek Flats high-rise project, which certainly will, and whose name seems to me an especially tone-deaf if gutsy move...

https://humanities.wustl.edu/features/Margaret-Garb-St-Louis-Eminent-Domain

https://www.stltoday.com/business/local/steelcote-developer-plans-more-apartments-brewery-space-in-million-midtown/article_811eaf96-76e1-5c20-a870-1e79abd3f06e.html

https://www.stltoday.com/business/local/chouteau-greenway-project-aims-to-knit-st-louis-neighborhoods-together/article_55fea4e6-6829-5c80-9168-313305b4e3bb.html

Contextual Articles
Landscapes with Purpose
One STL
Metropolitan St. Louis Sewer District
EPA - Green Infrastructure
Green City Coalition

Green Stormwater Infrastructure
Prior to the 1970's, many US cities managed stormwater through piped conveyance systems. Flooding was once considered the most significant risk associated with rainfall. System builders built water infrastructure to accommodate volume. Most cities in the US have what is called a combined sewer system (CSS). This system pipes stormwater and municipal wastewater together. The water is then treated and then released into receiving bodies. St. Louis is one of the rare cities (Baltimore, where my research is based is another) that has a municipal separated stormwater system (MS4). In a separated system, a system of pipes keeps stormwater separate from other wastewaters. 

In the 1970's ecological research, some of which came from the EPA's National Urban Research Program, began to demonstrate that nutrients in runoff were responsible for environmental pollution. In turn, municipal engineers transitioned to thinking about tools and techniques for decreasing this nutrient load. In St. Louis, the separated system operates under a federal consent decree with the EPA where the city must reduce the overall percentage of nutrients (nitrogen and phosphorus) carried through runoff. The most recent strategy for managing this problem is Green Stormwater Infrastructure (GSI). Although the problems associated with GSI are of local relevance, they are managed through state and federal governance strategies.

While GSI is difficult to define, many times installations feature landscaped elements that aim to mimic the pre-development hydrological processes of a given site. In urban areas, these projects often utilize vacant lands or reduce existing impervious surface cover. Many planners and community groups also suggest that GSI provides additional social benefits through an increase in community green space, reduction in urban heat island, and improved property values. 

This image from Missouri Coalition for the environment brings together the many suggested benefits of implementing these technologies. The diagram also provokes some questions that may interest us in our project; Does GSI represent a paradigmatic shift in techniques of stormwater management? Does natural or environmental mimicry in engineering projects act as a corrective to the anthropocene, or are these technologies merely a response? How are the social, economic, and technical benefits of GSI calculated and have attendent burdens been considered as well?

https://news.stlpublicradio.org/post/st-louis-takes-new-look-old-problem-what-do-vacant-land-and-abandoned-buildings#stream/0

This is an article originally aired on STL public radio in 2016 regarding abandoned buildings and vacant lots. The article highlights how the St Louis Land Reutilization Authority came to be the largest landowners in the city and highlights some of the challenges the agency has faced. The main point of the article is to highlight new strategies for using/dealing with vacant land. These strategies include selling lots to adjacent residents for a price of a low dollar amount and 2 years of maintaining the land (like an urban homestead act) and creating tree farms and other green infrastructure projects on vacant lots. Additionally the articles discusses efforts made to manage LRA holdings more effectively, including  increase funding for demolishing abandoned buildings that affect property values, utilize AmeriCorps volunteers to gather better data about the land within the agency’s ownership.

Land banking - the practice of aggregating land parcels for future sale or development and/or converting vacant/abandoned lots into “productive” property. St. Louis has the oldest land bank in the country (created by a Missouri state statute in 1971), with the land acquired when property owners fail to pay taxes for 3 years OR a parcel fails to sell in public tax foreclosure sales. A document on land banking from the Center for Community Progress: https://www.hudexchange.info/resources/documents/LandBankingBasics.pdf

--perhaps interesting to think of this as an urban form of public lands? Seems like it is ripe for all kinds of similar multiple interpretations of what it means for a gov’t entities to own something, whether it is labeled public, whether it viewed as land meant to be for the benefit of all, etc.

People/Entities/Orgs:

Land Reutilization Authority(LRA) - is the largest landowner in the city! Although it is a city-level entity, it was created by the Missouri legislature, so any changes have to be approved by state lawmakers.

Otis Williams, the executive director of the St. Louis Development Corporation, which acts as an umbrella organization for LRA.

Patrick Brown, a deputy chief of staff for Mayor Francis Slay. Brown leads the Vacant Land and Blight Task Force.

Harvard by the Center for Community Progress, a national think tank on vacant land issues

Fresh Coast Capital

ENERGY TECH: In April of 2018, Ameren, a Midwestern based power company, announced a 12 week energy tech incubation program. The incubation program was funded and developed through a partnership between the University of Missouri St. Louis, UMSL Accelerate (a tech incubator), Capital Investors (venture captialists), and Ameren (a Midwest power company). These sorts of partnerships, with their emphasis on innovation in the electric utility energy mark a recent and significant change in the way utilities futures are being structured and imagined. See this Q&A with Brian Dixon, the Chief Operating Officer of Capital Investors.