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When Aotearoa was colonised, settler colonisers brought with them myriad species (rats, mustelids, cats, rabbits, possums) that have predated upon or outcompeted native birds. With habitat clearance for agriculture and residential development, this produced a contemporary in which over 51 native bird species are extinct, and over 75% of all remaining species are at risk of extinction. Many of these species are taonga (treasures) to Māori. Conservation efforts seek to protect those that are left, but certain methods are controversial, due in part to different understandings of the problem. Some see possums as a threat (to forest health, and, as vectors of bovine TB, to the agricultural sector) that should be removed by any means necessary; others, as a resource whose killing should be undertaken by trappers who can collect and sell their furs and gain honest work in doing so. Some believe conservation is a public good to be achieved using public money; others see it as a site for innovation, warranting private and philanthropic investment in biodiverse futures, perhaps even at the expense of nearer-term outcomes. 'Environmental governance' is now a patchwork enterprise shared between the state, state-owned enterprises, hundreds of volunteer groups, and private innovators and operators. 

Image credit: Steve Shattuck

Addison, Courtney. 2023. "Conservation controversies in Aotearoa." In 4S Paraconference X EiJ: Building a Global Record, curated by Misria Shaik Ali, Kim Fortun, Phillip Baum and Prerna Srigyan. Annual Meeting of the Society of Social Studies of Science. Honolulu, Hawai'i, Nov 8-11.

This map is a fascinating and important image as it does NOT show the many sites of (ongoing) nuclear radiation contamination in communities impacted by uranium extraction and processing. For example, the Navajo Nation has around 270 unreclaimed open pit tailings piles. This is not official "waste" but is quotidian waste that creates longstanding environmental harm.

This 7-minute 'image film' was produced in light of the 100 year anniversary of the Wood River refinery. It briefly touches on the company's products, history and guiding values. I first saw the film in a small cinema room at the Wood River Refinery Museum and found this upload on YouTube. I was curious to see how anthropocenic effects are or are not depicted.  At about 90 seconds into the clip, a plant operator states: "This piece of land, this refinery has been here for a hundred years and it has changed with the world over the last hundred years, through world war two, but now we have women in the refinery." However, the narrative is not further developed, as the film cuts to another worker who recounts visiting the facility with his father. Certainly, a promotional film like this is supposed to present the company in the best light possible. When it comes to social and environmental change, a vague acknowledgment of World War II and a positive framing of women entering the company's workforce might indicate the limits of this visual mode of communication.