Analyze

The documentary is missing because the documentary is as safe as the fence it mocks in its title.
In the beginning we are asked to bear witness to the construction and use of the most devastation weapon of indiscriminate death the world has ever seen, and all the harm the construction of such a tool, yet its construction and its use is justified near instantaneously by repeating the same old propaganda.
In continuation, we are asked to bear witness to the continuous production of similar weapons and the devastation caused by the mishandling of the waste that accumulated in their production, yet why such a production took place is not only left unquestioned, but simple hints of cold war propaganda is left in their places for safekeeping.
In the end, we are asked to bear witness to a sombre victory, same spectres of patriotism and nation-of-God watching over our shoulder, yet how the pitiful situation of being forced to celebrate even such a small victory is never explored.
To sum up, we are shown people, good people, who struggle against the symptoms of a disease, yet this disease itself never named, nor challenged. It could not have been challenged, as it would force a complete change in their discourse.

If we sincerely would like to critique how the bodies of these workers were made disposable; used, harmed, dislocated and discharged as deemed necessary; if we wish to explore this topic as the necropolitical issue it is, we cannot stop halfway through. This inability to stop chasing connections, relationalities wherever it fits our ideology, is not a call for “objectivism”, it’s a call to respect the term of Anthropocene with all its rhizomatic connections.

An investigation of nuclear waste, that does not factor the use of its product, the socio-political effects of said product, and the historical conditions that even led to the possibility of producing it in such ways and such quantities, are of no use for us.  It cannot penetrate the barrier of capitalist realism. If it could, at least a single mention of workers unions would have existed. Instead, it has confessionals by atomic weapons lawyers whose heart goes out to these workers.
An America that refuse to face up to the fact that it is what it is by the great necropolitical project it led for hundreds of years, I struggle to accumulate sympathy for, what I can easily accumulate is rage however, which this documentary is missing..
Wish the documentary would have at least attempted to say something radical, instead of praising these disposable bodies for being patriotic about it. There are lives who never had false fences built as idols for safety, the collective idols of old America, the patriotic nation under God were built upon their broken bodies, what would you ask of them?

Mishuana Goeman in Mark My Words talks about remapping as a way of rethinking space and temporality, so the future is driving the study of the past and the past is interrogated for the future.

Goeman uses the fiction of Native women to push forth the idea that words don’t only represent reality, arguing that by using narrative “in (re)mapping, we as Native people have the power to rethink the way we engage with territory, with our relationships to one another, and with other Native nations and settler nations” (38–39).

So imagining spatial encounters and relationships is actually a way of mapping alternative relationships

Massey’s understanding of space is the “product of interrelations,” “spheres of possibility,” “and always under construction or a simultaneity of stories-so-far” (6-7), so space is a meeting of histories.

What histories are meeting now? Maybe more importantly, whose histories are meeting? I think this is where scalar analysis can come in to complement Massey’s thinking about space.. to start to tease out a bit these entangled encounter or meeting space, knowing it will never fully be disentangled.

Also, when think about Massey’s line of space as a meeting place, something always in transit, I’m thinking specifically of encounters. And space/place as encounter. And stay at home orders rethink the way many of us are encountering each other, also in certain contexts, especially for those with the privilege of staying at home, change encounters are being lost. The sort of tranistness of space is being lost.

I’ve been thinking a bit with Elizabeth Povinelli’s use of “abject” status (the excess, to cast away, the throw away) which she pulls from Judith Butler and spaces of liminality. The subjective experience of an abject status intersects so harshly with systems of power, the economy, national policy, etc. So, thinking about spaces of abjection. Who occupies this space during this time? How is it changed? How is it being embodied?

Gonzales, Roberto G., and Leo R. Chavez. 2012. “‘Awakening to a Nightmare’: Abjectivity and Illegality in the Lives of Undocumented 1.5-Generation Latino Immigrants in the United States.” Current Anthropology 53 (3): 255–81. https://doi.org/10.1086/665414.

Povinelli, Elizabeth. 2012. “BEYOND THE NAMES OF THE PEOPLE: Disinterring the Body Politic.”Cultural Studies 26 (2–3): 370–90. https://doi.org/10.1080/09502386.2011.636206.

In our group we had Dr. Jessica Sewell come speak to us a little while ago about her book Women and the Everyday City and we landed on the topic of “imaginaries of space” for a long time. And the visual politics of space- so how do we notice things? What do we notice? What seems out of place or in place. Thinking about how imaginaries make certain presences completely invisible (thinking here about gendered labor, black labor, and more). And how powerful imaginaries are, how they intersect with our construction of language. But also how resistance can work with these imaginaries.. thinking about women’s sort of take over of dept stores during the suffrage movement as an extension of their private space, a space for organizing. This is long winded way of trying to think through COVID-19 national models in the context of national imaginaries. What has been puzzling me is so many Americans’ response to the Swedish model of governing in Covid and how imaginaries of Sweden have been warped in such a way that there is a complete erasure of how xenophobic policies have gained traction in Sweden in recent years.  

Gendered Spaces – We keep seeing these headlines over and over  (https://www.nytimes.com/2020/05/15/world/coronavirus-women-leaders.html) and I think there’s a lot more analysis that needs to happen here.. But women leaders = success in governance in these reports and I think we should complicated this more. What does this look like from the scale of the body to national political offices?

Failed governance - https://www.theguardian.com/us-news/2020/may/07/michigan-lawmaker-armed-escort-rightwing-protest

^ For many this is failure, but for others the ability to have militarized weapons in the state capitol is a success. So how do we blur the boundaries between success/failure?

For hurricane Irene, city and state governments had shelters built and prepared for the event, but the best solution was for complete evacuation, as the storm was predicted to be too strong. The precautions did not work fully because there were some casualties and injuries

In this case, the source of resillience would be the federal authorities as they were the ones that launched the investigation to acquire the knowledge to discover and pass judgement on the guilty party.

This artifact contains information regarding the change in attitude towards environmental damage after hurricane Sandy. Newark is very vulnerable to flooding do to storms, and this was emphasized within the artifact.

The distribution of risk and damage for hurricane Irene was spread throughout the east coast of the US starting at Florida and working its way up to New York. Based on this, many people of all races and social classes were affected by the hurricane

Attorney General Rabner states that illegal dumping poses a serious threat to the public health of anyone in New Jersey. He does not state which groups are more vulnerable than others, and I believe that this information is hidden.