The difference between the ocean perspective and the land perspective
abuschengWhat do you think is the biggest difference between the ocean perspective and the land perspective?
What do you think is the biggest difference between the ocean perspective and the land perspective?
By Scott G. Knowles: As part of the STL Anthropocene Field Campus the research team visited the Wood Refinery Refinery History Museum on March 9, 2019. This museum is located on the grounds of the Wood River Refinery, a Shell Oil refinery built in 1917 and today owned by Phillips 66. The site is Roxana, Illinois, just upriver from Granite City, and just over two miles from the convergence of the Mississippi and Missouri Rivers. Sitting on the actual grounds of the refinery, the museum is an invitation to think across the micro, meso, and macro scales of the Quotidian Anthropocene, in terms of geography and also in terms of time. This refinery was built at the crux of the WWI, at a time when United States petrochemical production was entering an intensive phase of production, invention, corporate structuring, and global engagement. The museum is an invitation to think across temporal scales, backwards to the start of the refinery--through the individual lives of the workers and engineers whose lives defined the refinery--and forward to indeterminate points of future memory. This photo captures a key moment in an informal interview we did with one of the history guides. He had worked in the museum for decades before retiring. He explained to us that the museum sits in the former research facility of the refinery--and the glass plat he is showing reveals a beautiful artifact, a photograph made of the complex when it was built. Our guide only showed us this collection of slides after our conversation had advanced, perhaps after he was sure we were truly interested in his story, and the deeper history of the refinery. The pride in the place, the community of workers, and the teaching ability of the museum was manifest. The research team felt impressed, but also concerned about the health impacts (and naturally the environmental impacts as well) of the refinery. There was a mismatch in the scales--the memory of the individual tied to emotions of pride and knowledge of hard work done there--and the Anthropocene, global scale of petrochemicals. How do we resolve this mismatch? The glass plate is somehow a clue.
Once the abandoned waste was discovered, authorities sent trained professionals with the best safety gear to remove the waste from the abandoned home quickly and cleanly.
After Hurricane Sandy, John Schreiber, the CEO of NJPAC, announced that he along with the arts center was going to provide relief for victims of the hurricane. This agency is working hard to minimize the damage of the victims of the hurricane
Brian Conover, the man convicted of abandoning the waste, had left vials of blood along with needles that still had blood on them. The law requires that he properly dispose of these materials, but he had left the objects in his home when he moved out.
The EPA has been working to raise funds to launch this ambitious cleanup project. The EPA has also began looking for solutions to cleanup the polluted waterways in the Hudson River.
The Department of Criminal Justice played a large part in indicting a contractor for illegally abandoning medical waste. If not for their investigation, this issue would not have been resolved.
There was no precatuions taken regarding the waste in the Passaic River. Many of the locals knew it for its murky waters after years of industrial toxin buildup.
For hurricane Irene, city and state governments had shelters built and prepared for the event, but the best solution was for complete evacuation, as the storm was predicted to be too strong. The precautions did not work fully because there were some casualties and injuries
In this case, the source of resillience would be the federal authorities as they were the ones that launched the investigation to acquire the knowledge to discover and pass judgement on the guilty party.