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wolmad

This article was written by Miriam Ticktin, and Associate Professor of Anthropology and Co-Director of Zolberg Institute for Migration and Mobility at the New School. She received her PhD in Anthropology at Stanford University and the Ecole des Hautes Etudes en Sciences Sociales in Paris, France, and an MA in English Literature from Oxford as a Rhodes Scholar. Before coming to the New School, she was an Assistant Professor in Women’s Studies and Anthropology at the University of Michigan, and also held a postdoctoral position in the Society of Fellows at Columbia University. Her research primarily focusses on the intersections of the anthropology of medicine and science, law, and transnational and postcolonial feminist theory.

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wolmad

Liberian emergency responders are portrayed in the film as being completely overwhelmed by the situation at hand and unable to cope with the nature of the illness, people's innitial denial to the extreme communicability of the disease, and the sheer number of patients. Most predominantly, first responders are illustrated by 2 abandoned ambulances on the side of a road and by the story of a woman saying that an ambulance was called to a dying pregnant woman and they ended up leaving her on the side of the road for an ebola crew to respond to, which came too late.