Analyze

"What does the lack in prominence of environmental coverage in German TV tell us about the general state of environmental journalism in Germany? It is almost impossible to draw con- clusions based on hard facts and numbers.There is no national organization of professionals in the media dealing with this topic like the Society of Environmental Journalists in the USA, for instance.That means there are also no statistics about how many editors, reporters, or producers would count themselves as environmental journalists; nobody is keeping track. Communications scholars, when asked about the number of environmental journalists in Germany, reply with: “That’s something I would also like to know; tell me if you find out.”There is no formal educa- tion, and only a few training opportunities are offered for established writers and editors who want to specialize in the field. In recent years, some well-qualified and experienced reporters on newspapers with influential voices have departed (or been made to depart) the publishing houses or even journalism per se, leaving a noticeable gap." (Schrader 2020)

"Summarizing, environmental journalism in Germany appears to be in a transition phase. Many traditional media and press outlets are struggling to keep their business model or find a new one. And reporting on air quality, biodiversity, or the climate beyond their often-superficial implications for national politics is not high on the list of priorities. Much of the work might be shifting to online publishing in new contexts and organizations, but those are still forming and far from settled."

What kind of monitoring was used to monitor the amount of exposition to radiation (or, “occupational gamma doses”)? In the film they talk about badges, so I did a little research about what these badges are. I found out, that usually, these badges were TLD (Thermoluminescent dosimeter) badges. Murphy and Goel write on Radiopedia: TLD “is a passive radiation detection device that is used for personal dose monitoring or to measure patient dose”. They work as the following: When radiation falls on TLD, electrons are excited and store energy. After a defined period, for example a few months to a year, the badges are evaluated: The reader is a heater, on getting heated, the excited elevtrons come back to the ground state and emit light in doing so, this light is read by a photomultiplier. Light output is proportional to the radiation exposure (Murphy & Goel).  As Clarence R. Schneider (Health and Safety Representative for Electricians) explains (around min 24), the badges they used went to lab every night, if they weren’t “normal”, the workers were not allowed to work at the process areas the next day, they had to use a blue uniform this day and work in another area. So, this monitoring for me has some similarities with a diagnosis: a sample is sent to a laboratory and the next day you know if you are “normal” and can proceed as every day or not. And if not, then the consequence is that you can't work as usual the next day - that you then also got too much radiation, and were more exposed to the risk of illness, that didn't matter to the workers, Schneider says here. After all, it was their job. Later in the film, around 1h19min, Bill Hoppe, a plant worker, also talks about the badges: he stresses that they were supposed to have badges and other security material, but in fact, they did not have it.

Murphy, A. & Goel, A.: Thermoluminescent dosimeter. Available at https://radiopaedia.org/articles/thermoluminescent-dosimeter, last accessed on 18.05.2021.

In March 2021, the company Greenfield Louisiana LLC has proposed to build a new grain elevator, and has received air pollution permits. The project has raised concerns about grain dust emissions (Parker 2021). Further, Joy Banner, co-owner of the Fee-Fo Lay Cafe has pointed out the grain terminal's adverse effects on predominantly Black neighborshoods and nearby cultural heritage sites, including the Whitney Plantation. 

In our group we had Dr. Jessica Sewell come speak to us a little while ago about her book Women and the Everyday City and we landed on the topic of “imaginaries of space” for a long time. And the visual politics of space- so how do we notice things? What do we notice? What seems out of place or in place. Thinking about how imaginaries make certain presences completely invisible (thinking here about gendered labor, black labor, and more). And how powerful imaginaries are, how they intersect with our construction of language. But also how resistance can work with these imaginaries.. thinking about women’s sort of take over of dept stores during the suffrage movement as an extension of their private space, a space for organizing. This is long winded way of trying to think through COVID-19 national models in the context of national imaginaries. What has been puzzling me is so many Americans’ response to the Swedish model of governing in Covid and how imaginaries of Sweden have been warped in such a way that there is a complete erasure of how xenophobic policies have gained traction in Sweden in recent years.