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When attending court hearings related to the Formosa Plastics Naphtha Cracker case, sociologist Paul Jobin frequently creates his own drawings. The drawings are necessary for legal reasons, since the court does neither permit audio recordings or photography, but written transcripts are allowed. The illustrations serve as supplements to the written notes, but also as devices to focus his attention on both interactions and language use. As civic data, the drawings point to the legal regimes that govern the creation of (legal) data in Taiwan and elsewhere.
The main arguement of the film is that the development of stable and adequite public health networks is as important to the greater good of the population as the prevention of civil war.
This film is designed to have an emotional appeal. Very little scientific evidance is provided, and most of what we see are images and naratives about the effects of ebola from the public's perspective. Powerful images and stories, such as the death of a pregnant women on the side of the road, the closing of hospitals, and the turning away of patients are predominantly displayed. Much of this movie is told from the perspective of a student of the University of Wisconsin, and there was a large amount of dialouge about how he tried to get his family out of the effected zone. The only notable statistics given in the film was at the end, when the number of effected and the number of deaths were compared.
" The dangers under which health workers try to function appear to be heightening, as frightening locals continue to blame the doctors for prepetuating the violence"
"We don't accept their prescence at all. They ae the transporters of the virus in these communities"
The author has conducted their research by being an advocate for poverty, inequality, and social justice. He is a reporter and has access to theose resources by using information gathered by his collegues who report from Africa. The Washington Post has people stationed who gather relevent information to world issues.
The stakeholders discribed in the film was the general population of Liberia. They had shared experiances of seeing the effects of ebola, innitially being in denial of its severity, then finally seeing the entire liberian public health system be overwhelmed and fail by an apparently unstopable and horrifying disease. The people effected needed to make difficult decisions about how to avoid contracting the disease, how to protect their families, and how to deal with the emotional strain placed on them by the epidemic.
The main point of the article is despite the positive impact doctors/nurses and those who advocate against Ebola, many of the citizens in remote areas do not trust those who have the resources to 'cure' or to eradicate the illness, instead they believe that these workers bring diease. Some resort to violence to reaffirm this point through stoning healthcare workers and even killing them. This article exposes the issues on treating an epidemic, the 'growing pains' of helping thrid world countries and the dark side of helping others. The article is supported through direct quotes from healthcare workers as evidence (stats) and quotes from people that live in West Africa.