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Artist Steve Rowell's use of sound and drones

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In the interview with Emily Roehl, artist Steve Rowell describes his style in contrast to the more "didactic" approach of land use and documentary photography. Instead, he has come to combine his visual works with sound installations that are meant to unsettle. These sounds are often generated based on air pollution data that he has collected (Roehl and Rowell, 2022, p. 137). Rowell further describes how changes in the development of aerial video and photography technology have shaped his work. In the past, Rowell would rent expensive camera equipment and attach them to a helicopter to generate fly-over images (Roehl and Rowell, 2022, p. 140). Though commercial drones have become available, Rowell says that he soon got dissatisfied with the "slick" images they produce. When using drones, Rowell relies on an angle that faces down or is close-up, creating feelings of uncanniness. These unusual perspectives are combined with split imagery and mirroring to achieve a specific effect: “There’s a value in giving the viewer/listener a chance to distrust the work in the same way there’s value in giving them room to question the work. The landscapes I feature are all altered. What landscape isn’t now? That’s the point.” (Roehl and Rowell, 2022, p. 140).

Artist Steve Rowell

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Steve Rowell is an educator and research artist, currently working on “long-term projects that use image, sound, and archival practice to interrogate the relationship between humans, industry, and the environment” (Roehl and Rowell, 2022, p. 136). Rowell has worked extensively with the Center for Land Use Interpretation (CLUI) in Los Angeles, including a comissioned project for which he photographed every petrochemical plant in Texas (ibid, p. 137). In subsequent projects, he has focused on tracing pipelines going from the Alberta Tar Sands to petrochemical communities in Long Beach, California and Port Arthur, Texas. Another recent project focuses on the industrial ecology of Houston's Buffalo Bayou

Summary

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Sabina Vaught’s Compulsory challenges conventional understandings of state schooling through an ethnographic exploration of the juvenile prison school system in the United States. Vaught examines the ways in which juvenile prison and prison school are shaped by legal and ideological forces working across multiple state apparatuses. Vaught depicts these forces vividly through her ethnographic focus on Lincoln prison school, a site serving “as a window onto the massive institutional practices of juvenile schooling, knowledge production, and incarceration in the United States” (19). Her ethnography maps the network of relations converging through this site—between prisoners, teachers, state officials and mothers. In doing so, her ethnography captures an illustrative account of the institutional assemblages at work in constituting the state through material and ideological practices of dispossession and education of young Black men. She demonstrates the ways in which the state disproportionally displaces young Black men from home and subjects them to abuse, captivity, and forced submission through its educational apparatus.

 In her approach, Vaught highlights distinct spaces of interest: inside and outside the juvenile prison school system. She works with these designations to map institutional powers across different spaces, arguing that “Inside and Outside are places just as Seattle and Canada are proper nouns with distinct features, bounded space, governing rules, sociocultural symbology, and so on” (12). In mapping these spaces, Vaught is also attentive to who is present and who is absent, both discursively and materially. Absences are recognized as shaping the field in which Vaught is working—for instance, her ethnographic focus on young men in prison schools is largely an outcome of institutional practices of hiding young black women from view. In the logic of prison administrators, “girls were too vulnerable to be exposed to research” (17)—despite paradoxically deemed “dangerous” in justifying their captivity.

Vaught’s attention to absence is also explicit in her examination of removal, as a practice aimed at disrupting the private spheres of people of color through prisons and schools. Removal entails the physical relocation of students from their homes to schools, where “they are subject to meaningless or hostile captive educational performances” (321). Removal, as Vaught demonstrates, is essential to the continuous construction of the US as a White, heteropatriarchal nation.

More specifically, removal disables the possibility of a Black private sphere by disrupting kinship relations between young Black men and their families and making young Black men into prisoners. Removal acts as an assault “on Black women as custodians of the house of resistance, on Black boys as figments of White criminal imaginations who antithetically define White male innocence and citizenship, and on Black girls as both hyperaggressive and broken ghost victims” (321). The state works to supplant other social and family relations with carceral kinship relations, which normalize and legitimize the removal process. This process is further reinforced with the psychological manipulation of young men through state-imposed “treatment,” which corrodes their sense of free will and promotes feelings of internal, individual culpability for their exclusion from citizenship.

Vaught argues that this disruption of Black private spheres is significant because these are important spaces of resistance, in which counter publics are formed. In the United States, “the public” is leveraged as a tool of white supremacist control in limiting the power of some. Rights themselves are exclusive and private—limited to those possessing property, a condition of whiteness dependent on the exclusion of people of Color. Dispossession and education are practices that maintain and rationalize this exclusivity, as young Black men are denied the possibilities of citizenship. These practices serve to protect the interests of the White state, to which the potential emergence of private Black citizens (and their potential publics) act as threats: “White freedom, will, and fitness for self-governance exist only through the ideological and structural denial of those very things in Black people” (322).

In her attention to the interrelations between the white supremacist state, prison schooling, and critical scholarship, Vaught offers direction for activists and scholars invested in social justice and education—particularly in her critique of the school-to-prison pipeline, which draws attention to the limitations of reform. As an apparatus of the state, schools are meant to function as prison pipelines. Scholars and activists applying the prison-to-pipeline logic in advocating for education reform overlook this essential fact and “unintentionally confirm the principal, most damaging misconception of school: that it is good” (37). Vaught’s Compulsory supports and gives life to alternative theoretical approaches focused on the racist organization of schools in relation to prisons. In this, Vaught exemplifies her approach to theory as stewardship: theory is “a stewardship of a kinship network of meaning. It is not just an abstraction we take up and give life to page by page but rather a living force that in some ways takes us up” (41). Ultimately, Vaught’s theoretical stewardship offers meaningful direction for scholars and activists: “State schooling … is the beating heart of a supremacist state. … To take on the heart of the state requires further mapping its reaches” (323).

 

 

Lack of coverage and training for environmental journalism in Germany

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"What does the lack in prominence of environmental coverage in German TV tell us about the general state of environmental journalism in Germany? It is almost impossible to draw con- clusions based on hard facts and numbers.There is no national organization of professionals in the media dealing with this topic like the Society of Environmental Journalists in the USA, for instance.That means there are also no statistics about how many editors, reporters, or producers would count themselves as environmental journalists; nobody is keeping track. Communications scholars, when asked about the number of environmental journalists in Germany, reply with: “That’s something I would also like to know; tell me if you find out.”There is no formal educa- tion, and only a few training opportunities are offered for established writers and editors who want to specialize in the field. In recent years, some well-qualified and experienced reporters on newspapers with influential voices have departed (or been made to depart) the publishing houses or even journalism per se, leaving a noticeable gap." (Schrader 2020)


"Summarizing, environmental journalism in Germany appears to be in a transition phase. Many traditional media and press outlets are struggling to keep their business model or find a new one. And reporting on air quality, biodiversity, or the climate beyond their often-superficial implications for national politics is not high on the list of priorities. Much of the work might be shifting to online publishing in new contexts and organizations, but those are still forming and far from settled."