1. Songs as artifacts,
2. Faith in God enables their forgiveness: how does the belief in God and in Amis ancestor co-exist? (阿美人有祖靈概念嗎?)
3. 遷徙的過程: 從美山，新莊到新竹，從打漁到打零工，這一路轉換對阿嬤個人，她的家庭以及部落代表著什麼?以及這段小歷史如何被鑲嵌在大歷史的脈絡中?
TS: In this picture, taken by Paul Jobin at the Yunlin County Court in Central Taiwan, a lawyer explains the details of a Formosa Plastics lawsuit to a group of plaintiffs. In our conversation, Paul Jobin said that this picture symbolizes the difficulties to mobilize and "prepare" plaintiffs. At best, many of them are unaware that they have a right to appear in court, but often they are intimidated and fear retaliation. According to Jobin, social scientists can at times help with political organizing, for example by not only interviewing residents, but also informing them about their rights. Likewise, it was Jobin who encouraged the lawyer to take a moment after the hearing to engage with the plaintiffs.
What data platforms are windows into data culture and politics in this setting?
What could one learn about Baltimore through a close analysis of the "Boston Tree Inventory" or through close work with CalEnviroScreen (noticing what gets pulled into visibility and what remains off-screen)?
What kind of data infrastructures are imagined as needed n this setting and for what historical and contemporary reasons? In Austin, for example, energy transition actors have worked to establish energy data infrastructure that is separate from established data infrastructures supported by power companies, etc.
What ideals are data collected to protect or to contest?