songs as artifacts
sharonku1. Songs as artifacts,
2. Faith in God enables their forgiveness: how does the belief in God and in Amis ancestor co-exist? (阿美人有祖靈概念嗎?)
3. 遷徙的過程: 從美山,新莊到新竹,從打漁到打零工,這一路轉換對阿嬤個人,她的家庭以及部落代表著什麼?以及這段小歷史如何被鑲嵌在大歷史的脈絡中?
1. Songs as artifacts,
2. Faith in God enables their forgiveness: how does the belief in God and in Amis ancestor co-exist? (阿美人有祖靈概念嗎?)
3. 遷徙的過程: 從美山,新莊到新竹,從打漁到打零工,這一路轉換對阿嬤個人,她的家庭以及部落代表著什麼?以及這段小歷史如何被鑲嵌在大歷史的脈絡中?
How does visualizing allows us to set the parameters to make the future vision a reality?
The gift of the money caused discord in the community - rather than buying the good tea for a better price, so that it feels earned, it is a bigger power dynamic to gift the money
The publication of standards, inspections, certification, decertification, branding - connection to policy for organic certification
I don’t think they particularly see themselves as helpful to the tea growers - they are more about codifying/enacting a “final vocabulary” around their view of environmental sustainability
In the context of a supply chain where the Global North [sic] corp/buyer is at the top, they are defining and enacting “the ethical” and environmental “responsibility” in their standards and their inspections and their certifications and labels and branding, without any real awareness of how these things are already happening, for different reasons, in the context of somewhere like Tanzania where the tea is actually being grown.
Standards development organizations, which include heavy influence from corporations in the Global North [sic], are “codify[ing] values of sustainability that are to govern practices” p825
Not much on the context of CSR or the history of these SDOs and why they exist.