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Artist Steve Rowell's use of sound and drones

tschuetz
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In the interview with Emily Roehl, artist Steve Rowell describes his style in contrast to the more "didactic" approach of land use and documentary photography. Instead, he has come to combine his visual works with sound installations that are meant to unsettle. These sounds are often generated based on air pollution data that he has collected (Roehl and Rowell, 2022, p. 137). Rowell further describes how changes in the development of aerial video and photography technology have shaped his work. In the past, Rowell would rent expensive camera equipment and attach them to a helicopter to generate fly-over images (Roehl and Rowell, 2022, p. 140). Though commercial drones have become available, Rowell says that he soon got dissatisfied with the "slick" images they produce. When using drones, Rowell relies on an angle that faces down or is close-up, creating feelings of uncanniness. These unusual perspectives are combined with split imagery and mirroring to achieve a specific effect: “There’s a value in giving the viewer/listener a chance to distrust the work in the same way there’s value in giving them room to question the work. The landscapes I feature are all altered. What landscape isn’t now? That’s the point.” (Roehl and Rowell, 2022, p. 140).

Artist Steve Rowell

tschuetz
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Steve Rowell is an educator and research artist, currently working on “long-term projects that use image, sound, and archival practice to interrogate the relationship between humans, industry, and the environment” (Roehl and Rowell, 2022, p. 136). Rowell has worked extensively with the Center for Land Use Interpretation (CLUI) in Los Angeles, including a comissioned project for which he photographed every petrochemical plant in Texas (ibid, p. 137). In subsequent projects, he has focused on tracing pipelines going from the Alberta Tar Sands to petrochemical communities in Long Beach, California and Port Arthur, Texas. Another recent project focuses on the industrial ecology of Houston's Buffalo Bayou. 

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Zackery.White
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"Data collection: Gather submissions from anyone, anytime, anywhere"

"Data management: Manage and triage reports with filters and workflows"

"Data visualization: Map submissions and chart what happened"

"Automatic alerts: Receive alerts about changes and update"

"Enterprise systems:Let our team help you build and scale your deployment"

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a_chen
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The Ushahidi Ecosystem has aimed to serve people that have limited access to the world, for example, areas around (East) Africa (“hard-to-reach places”).  One of the event the platform focused on is the post-election violence in Kenya 2008, whereas people have raised their voice to the world via the handy technological tools.  

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a_chen
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Most of the partners of the platform (world leading foundations/organisations: e.g. Resilience Network Initiative) have used the tools to increase the access on relevant information in order to assist the citizens/populations that need helps. Furthermore, to protect marginalised communities.

“Anyone can use Ushahidi, but traditionally it has been a tool used by Crisis Responders, Human Rights Reporters, and Citizens & Governments (such as election monitoring or corruption reporters).”

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a_chen
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“Ushahidi provides open source crowdsourcing software for responding to crisis, helping human rights, and increasing transparency.”

For the event of post-election violence in Kenya 2008, map reports are created to flow the voices.

With the mobile apps (iOS/Android) of the system, data collection can gather other’s voice from multiple sources such as SMS, emails, Twitter and RSS. These data can also be managed and formed into visual charts and maps. Other functions such as alerts and customer services are also provided.

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a_chen
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The received data can be managed and visualised into charts or map tiles (e.g. open street maps or satellite maps). The data is visualized in the panel of “Visualize Your Story “with four modes of visual features.

  • Branded Deployment
  • Map Mode
  • Timeline Mode
  • Activity Analytics Mode