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how do artifacts such as songs, grocery stores, fishing tools, etc help Naluwan people claim their identities (cultural, professional, social, personal?)

There are manu artifacts mentioned in your fieldnote--songs, stories, fishing tools, grocery stores, etc. How do you analyze these artifacts--why and how were they constructed, used? What are the social, economic, cultural meanings/functions of these artifacts? And how have these artifacts helped construct the sense of place and identity of the Naluwan people?

The question of data relates to Denise Brock’s key role in the passage of the Energy Employees Occupational Illness Compensation Program Act (EEOICPA). Brock independently collected thousands of documents related to the health of  workers in nuclear facilities like Weldon Spring in her efforts to show that they had been exposed to pathological levels of radiation. In many cases, their employers were fully aware of the dangers these workers faced, but kept this information to themselves or hidden away in the private documents that Denise uncovered decades later. Prior to Denise's work this information was not publically available, and if workers who had become ill wanted to receive compensation for worksite expose, they would have to undergo exposure reconstruction assessments, which--due to the lack of accurate and available data--were imperfect evaluations of the actual levels of radiation workers had been exposed to. Due to Denise's advocacy, which led to the passage of the EEOICPA, workers at nuclear facilities are exempted from the exposure reconstruction assessments and are eligible for compensation payments up to a maximum amount of $250,000, plus medical expenses for accepted conditions.

Denise's experience raises a few questions and reflections on data in the Anthropocene:

•  Issues like worksite and environmental exposure are often plagued by invisibilities and what STS scholars have referred to as "agnotologies"--where can activists/scholars/any interested party gain access to relevant data in relation to these issues (in a similar fashion to Denise's work)?
• For historians in particular: do the thousands of documents Denise complied consitute an archive? How can these and similar archival practices be Anthropocenic strategies? 

Byron Good, Ph.D., is a professor of Medical Anthropology at Harvard Medical School. His primary area of research is mental illness and how social perceptions evolves around these issues, in terms of both treatment and social acceptance. Dr. Good has several works on these issues, including several that explore the perspective of bio-medicine in non-western medical knowledge, the cultural meaning of mental illness, and patient narrative during illness. His publications including several papers, books, and edited volumes; he is regarded as a major contributor to the field of psychological anthropology. 

The article primarily asserts that how a patient narrates or describes their medical history is deeply rooted in their native culture. As such, physicians must be aware of how an individual's medical experiences can be altered based on this. In turn, physicians must recognize the importance of story-telling and anecdotes when receiving information directly from patients. Narratives project the patient's experience and events through their perspective, granting professionals a glimpse into their thought processes and action patterns.

The author, Byron J. Good, is a Harvard professor in the department of global health and social medicine. He is the director of the International Mental Health Training Program, and has significant experience with field research that has led to many publications.

The article’s main argument is that the narration of an illness is founded in the emotional connection it has to the sufferers life, the place from which they view the illness which includes individual and cultural aspects. Furthermore any lack of factual accuracy is an indicator of the social and cultural environment in which the illness presents itself and is revealing as to how it will be perceived and treated.

The main argument is supported primarily through interviews with many individuals living in Ankara, through which they describe the first presentation of their seizures and in many cases the steps they tool to attempt a cure. Along with the interviews, statistics of the individuals interviewed and their diagnoses is used to provide a reference point to better understand their stories. Finally the article includes an analysis of narratives in a more general sense that can be applied to the narrative of an illness.

• “… illness narratives - both the corpus of story episodes and the larger life "story" or illness narrative to which they contribute - have elements in common with fiction. They have a plot; succession is ordered as history or event, given configuration.” (164)
• “The diverse accounts of the illness in these narratives represent alternative plots, a telling of the story in different ways, each implying a different source of efficacy and the possibility of an alternative ending to the story. My point is not that persons having access to a plural medical system do not simply choose among alternative forms of healing but instead draw on all of them” (155)
• “Predicament, human striving, and an unfolding in time toward a conclusion are thus central to the syntax of human stories, and all of these, as we will see, are important to stories about illness experience.” (145)

The article provides statistics and excerpts of interviews to support its analysis of the narrative of illness. There are also several quotes from other works that analyze story and narrative to support the claims of the importance of emotion as a method of sharing the plot.