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Local organizers harmed by global corporations can find solidarity and resources among other impacted localities. Formosa Plastics Group (FPG), a transnational petrochemical conglomerate from Taiwan, has caused environmental disasters and subsequent opposition movements in Vietnam, the U.S., and in their home country. Crossing physical and cultural borders, activists from these communities are using their shared knowledge and power to demand retribution. The International Monitor Formosa Alliance, or IMFA, represents the coordination of global anti-FPG activists to address localized issues. On October 31st, for example, activists converged in front of a FPG facility in Point Comfort, Texas to lead a Global Hunger Strike against the company's actions in Vietnam. Bringing together various networks and knowledges, the strike calls for justice years after the Ha Tinh Steel Plant in Vietnam released toxic pollutants, causing mass fish death in 2016. Diane Wilson, strike leader and Goldman Environmental Prize winner, has coordinated with Nancy Bui, leader of Justice for Formosa’s Victims, and other global activists to demand compensation for Vietnamese victims and release of imprisoned protestors. Their collaboration can serve as a model for other communities opposing global industry. 

Image source: Zoe Friese. 

Pictured: Activists (left to right) Nancy Bui, DIane Wilson and Sharon Lavigne with enviromental lawyer (far right) Marco Simons speaking at a confressional briefing about the 2016 Ha Tihn Steel Plant incident hosted by the IMFA.

Friese, Zoe. 2023. "The International Monitor Formosa Alliance: Addressing Local Issues with Global Alliances." In 4S Paraconference X EiJ: Building a Global Record, curated by Misria Shaik Ali, Kim Fortun, Phillip Baum and Prerna Srigyan. Annual Meeting of the Society of Social Studies of Science. Honolulu, Hawai'i, Nov 8-11. 

Remember the arrivals of Mā’ohi ancestors who traversed the sea and surged upon the shores. Over generations, many groups explored and peopled te fenua, travelling around the archipelagos by va’a and on bare foot. Te nūna’a Mā’ohi built up the land, and the land built up te nūna’a, with fare, fa’apū, tumu, marae, and stories. Te fenua and te nūna’a shared experiences and developed knowledges, year in, year out, together. 

In other worlds, those we call popa’āwere knowing and being in very different ways. Over time, te popa’ābuilt physical, spiritual, and epistemic walls to imagine a separation between themselves and the land. They dreamed of knowing without relation, and called it “objectivity.” Adrift in the violent nightmares of their mindless fantasies, te popa’ābecame ungrounded. They tried to fill this existential void through stories of supremacism, which they acted out through projects of transoceanic conquest. In their empty confusion, te popa’ācame to te fenua Mā’ohi with greed, envy, arrogance, disease, and weapons of mass destruction. 

Whether through deliberate genocide or oblivious indifference, popa’āarrivals decimated Mā’ohi communities, as local populations fell by 80% to 90%. This formative trauma foreshadowed disasters to come. Te popa’āstole te fenua’s physical wealth on a massive scale, and then imposed a nuclear weapons testing program, bringing radioactive waste, cancer, and other illness. Te popa’ātimed the introduction of mass tourism with atomic testing, to obscure the social, economic, and environmental impacts of the nuclear program. They deceived ta’ata Mā’ohi with empty stories, progressively luring many ta’ata into a modern nuclear-tourism future of individualism, wage labor, cash economies, consumer advertising, broadcast entertainment, artificial scarcity, and nuclear family subdivisions. Te popa’āsought to break the bond between te ta’ata and te fenua. They did not know, this bond cannot be broken. 

The popa’āproject of supremacist colonial modernization is ongoing. But so is the Mā’ohi project of knowing and growing with the land. 

Tahitian language glossary

fare house(s), building(s)

feafea (i) thinking (of, about)

fenua land(s), territory(ies), world(s)

fa’apū garden(s); place(s) for growing crops

nūna’a people, peoples, nation(s)

Mā’ohi Indigenous to French Polynesia

marae ceremonial pavilion(s)

miti salt water; sea(s)

o of

popa’ā the people who think they are white

te the, a, an, some

ta’ata person, people, human(s)

tumu tree(s); root(s)

va’a canoe(s); sailing canoe(s)

Photo: Maupiti lagoon. Text, photo and layout by Teo Akande Wickland. Made with Mā’ohi, Black American, Latinx, queer, feminist and modern/colonial knowledges.

Wickland, Teo Akande. "Feafea i te miti o te fenua ." In 4S Paraconference X EiJ: Building a Global Record, curated by Misria Shaik Ali, Kim Fortun, Phillip Baum and Prerna Srigyan. Annual Meeting of the Society of Social Studies of Science. Honolulu, Hawai'i, Nov 8-11, 2023

Byron Good, Ph.D., is a professor of Medical Anthropology at Harvard Medical School. His primary area of research is mental illness and how social perceptions evolves around these issues, in terms of both treatment and social acceptance. Dr. Good has several works on these issues, including several that explore the perspective of bio-medicine in non-western medical knowledge, the cultural meaning of mental illness, and patient narrative during illness. His publications including several papers, books, and edited volumes; he is regarded as a major contributor to the field of psychological anthropology. 

The article primarily asserts that how a patient narrates or describes their medical history is deeply rooted in their native culture. As such, physicians must be aware of how an individual's medical experiences can be altered based on this. In turn, physicians must recognize the importance of story-telling and anecdotes when receiving information directly from patients. Narratives project the patient's experience and events through their perspective, granting professionals a glimpse into their thought processes and action patterns.

The author, Byron J. Good, is a Harvard professor in the department of global health and social medicine. He is the director of the International Mental Health Training Program, and has significant experience with field research that has led to many publications.

The article’s main argument is that the narration of an illness is founded in the emotional connection it has to the sufferers life, the place from which they view the illness which includes individual and cultural aspects. Furthermore any lack of factual accuracy is an indicator of the social and cultural environment in which the illness presents itself and is revealing as to how it will be perceived and treated.

The main argument is supported primarily through interviews with many individuals living in Ankara, through which they describe the first presentation of their seizures and in many cases the steps they tool to attempt a cure. Along with the interviews, statistics of the individuals interviewed and their diagnoses is used to provide a reference point to better understand their stories. Finally the article includes an analysis of narratives in a more general sense that can be applied to the narrative of an illness.

• “… illness narratives - both the corpus of story episodes and the larger life "story" or illness narrative to which they contribute - have elements in common with fiction. They have a plot; succession is ordered as history or event, given configuration.” (164)
• “The diverse accounts of the illness in these narratives represent alternative plots, a telling of the story in different ways, each implying a different source of efficacy and the possibility of an alternative ending to the story. My point is not that persons having access to a plural medical system do not simply choose among alternative forms of healing but instead draw on all of them” (155)
• “Predicament, human striving, and an unfolding in time toward a conclusion are thus central to the syntax of human stories, and all of these, as we will see, are important to stories about illness experience.” (145)

The article provides statistics and excerpts of interviews to support its analysis of the narrative of illness. There are also several quotes from other works that analyze story and narrative to support the claims of the importance of emotion as a method of sharing the plot.

Emergency response is not addressed in this article however it does provide emergency responders with insight into the stories those suffering from illness will have to explain their suffering. As emergency responders will often be working in societies and cultures very different form their own in the case of disaster response, it is important to understand that what may seem like fiction in a story cannot be dismissed without considering the deeper cultural significance of those elaborations.