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Anthropocene psychologies (or psychopathologies) have some similarities to the decadence and denialism of late socialism in central and eastern Europe that is one of my research interests. As ecological disasters, particularly in the coal regions of northern Bohemia; the most polluted area of europe at the time) gave the lie to the Party line of progress and prosperity, a comforting veil of ideology allowed leaders and many citizens to go about their business "as if" there were no looming crisis. In his New Year's address after becoming the first post Communist president of Czechoslovakia, dissident playwright Vaclav Havel made this connection clear, describing the destroyed environment as an undeniable symptom of modern humanity's disconnection from the natural world and a "contaminated moral environment." As outlined in the work of historian Miroslav Vanek (see our article "Ecological Roots of a democracy movement") , the ecological crisis was deeply entwined with a political crisis that eventually led to the collapse of the Communist state in Czechoslovakia in 1989. Havel's critique was not just of Communist ideologies, but of ideologies of technologival civilization and modernity in general:

"What we call the consumer and industrial (or postindustrial) society, and Ortega y Gasset once understood as "the revolt of the masses," as well as the intellectual, moral, political, and social misery in the world today: all of this is perhaps merely an aspect of the deep crisis in which humanity, dragged helplessly along by the automatism of global technological civilization, finds itself. The post-totalitarian system is only one aspect-a particularly drastic aspect and thus all the more revealing of its real origins-of this general inability of modern humanity to be the master of its own situation. The automatism of the posttotalitarian system is merely an extreme version of the global automatism of technological civilization. The human failure that it mirrors is only one variant of Ihe general failure of modern humanity. This planetary challenge to the position of human beings in the world is, of course, also taking place in the Western world, the only difference being the social and political forms it takes- Heidegger refers expressly to a crisis of democracy. ... It may even be said Ihat the more room there is in the Western democracies (compared to our world) for the genuine aims of life, the better the crisis is hidden from people and the more deeply do they become immersed in it. It would appear that the traditional parliamentary democracies can offer no fundamental opposition to the automatism of technological civilization and the industrial-cousumer society, for they, too, are being dragged helplessly along by it. People are manipulated in ways that are infinitely more subtle and refined than the brutal methods used in the posttotalitarian societies. But this static complex of rigid, conceptually sloppy, and politically pragmatic mass political parties run by professional apparatuses and releasing the citizen from all forms of concrete and personal responsibility; and those complex focuses of capital accumulation engaged in secret manipulations and expansion; the omnipresent dictatorship of consumption, production, advertising, commerce, consumer culture, and all that flood of information: all of it, so often analyzed and described, can only with great difficulty be imagined as the source of humanity's rediscovery of itself." (Power of the Powerless, 1978)

Thinking about the theme of this campus and after reviewing the material on the Whitney plantation, I was pondering the connections between the history of slavery in Louisiana and the industrial/technical implications and affects of the Anthropocene. I remembered a book by Andrew Nikiforuk called “The Energy of Slaves” (shout out to L Cohen fans)) which draws clear historical and technical parallels between the energy regimes of slavery and the petrochemical industry. Thought it might be interesting/relevant.

From the Greystonebooks publisher’s description:

“A radical analysis of our master-and-slave relationship to energy and a call for change.

Ancient civilizations routinely relied on shackled human muscle. It took the energy of slaves to plant crops, clothe emperors, and build cities. In the early nineteenth century, the slave trade became one of the most profitable enterprises on the planet, and slaveholders viewed religious critics as hostilely as oil companies now regard environmentalists. Yet when the abolition movement finally triumphed in the 1850s, it had an invisible ally: coal and oil. As the world's most portable and versatile workers, fossil fuels dramatically replenished slavery's ranks with combustion engines and other labour-saving tools. Since then, oil has transformed politics, economics, science, agriculture, gender, and even our concept of happiness. But as Andrew Nikiforuk argues in this provocative new book, we still behave like slaveholders in the way we use energy, and that urgently needs to change.

Many North Americans and Europeans today enjoy lifestyles as extravagant as those of Caribbean plantation owners. Like slaveholders, we feel entitled to surplus energy and rationalize inequality, even barbarity, to get it. But endless growth is an illusion, and now that half of the world's oil has been burned, our energy slaves are becoming more expensive by the day. What we need, Nikiforuk argues, is a radical new emancipation movement.”

Also book review @: https://www.macleans.ca/culture/books/review-the-energy-of-slaves-oil-and-the-new-servitude/

If the Anthropocene epoch is characterized by a decadent, mutually destructive dance of human and physical geographies, then New Orleans is the perfect host city. Founded on the exploitation of both human and natural resources, built on the shifting sands of the delta, stripped of natural defenses, sitting below sea level with only earthen levees and ancient pumps keeping out the toxic waters of the Mississippi, Lake and Gulf, the city is a model of social and environmental injustice and unsustainability. The drunk staggering home past the trash and vomit on Bourbon street singing Jock-a-mo while the rats scurry, the levees seep and storm clouds gather in the Gulf is a good metaphor for the state of the planet and human civilization in the current epoch.

Yet, despite the intractable problems of decaying infrastructure, inequality, corruption and the constant threat of disaster, a stubborn spirit of grit, resilience, and even joy somehow endures. I first visited New Orleans in 2007. While the CBD and tourist quarters were open for business, heaps of steaming, mouldering debris still littered the lower 9th ward and outlying districts and half the population remained displaced, the majority-minority of whom labelled “refugees” in their own country. The hurricane had blown the sequins off the Big Easy’s carefree façade, stripping away the ideological veneer and laying bare its stark inequities, yet its soul was somehow intact*.

The criminal incompetence and indifference of the emergency response to Katrina (I remember tractor trailers full of supplies idling for days in Gloucester, MA waiting for instructions from FEMA) illustrated how there is no such thing as a “natural” disaster in the Anthropocene. “Acts of God” are increasingly triggered and mismanaged by acts of man.

As a political scientist and cultural historian, I am interested in how issues of power, control, resources, and justice are framed; how such narratives are deployed and contested; and (as an geographer at heart if not by training) how these cultural systems codependently interact with the environmental systems that underwrite them. The theme of “land, life and labor” exploitation of the New Orleans campus seems to me particularly salient for my interdisciplinary instincts and social science perspective. I look forward to meeting, working, and learning with you all.

*PS: The soul of New Orleans, which restored my faith in America during the dark years of the W administration (remember when we thought it couldn’t get worse?), is also what led my daughter to adopt the city as her own for the past five years, and inevitably led her parents to keep a wary weather eye on the Gulf and cancer alley. Actually both my daughters (like all sons and daughters of their generation) are on the front lines of the Anthropocene, as my youngest is a budding environmental scientist. So, my desire to understand the systems and scale of these issues is personal as well as political.

This article explains the horrible effect Sandy had on the Shore area.  The devastation to the entire area.  People sufffered and are still suffering. This article shows interviews from many different people on how they over came and built back from Sandy.  

This article explains that there is still desvestation from Hurrican Sandy.  Raw sweage seeped in the Passica River and the efforts to remove it still exist.  New Jersey's infrasture is very  vulnerable.  The DEP developed a 230 million system to build flood walls and hopefully this will help in case of future storm.  

The author of this article obviously toured the facility to see the structure of the switch station, the author states that most switch stations are ugly, but when you combine art to the walls it can be quite pleasing to the eye.  The author also spoke with the Mayor of the City of Newark to get his take on the development and the purpose.  

 "The Secret Sauce" "Mayor Ras Baraka jokingly called the art/collaboration joked about Newark’s seemingly forever-ongoing revitalization. Alluding to the process that created the building he stood in front of, Baraka called art and collaboration—between public and private, between community and architect—the “secret sauce” of successful neighborhood revitalization".

stated by David Adjaye  “What I’ve learned in architecture and design is that, when the opportunity seems complicated, that’s when your creativity has to rise to that opportunity,” firm principal David Adjaye told the crowd. 

The article points out how in need the city was of the switch station, after Super Storm Sandy, many over half of the residents were out of power, this due in large to the poor infrastructure and the way it handled overloads when a diasester hit.  The switch station would elimnate all of those issue by upgrading the infrastructure to handle issues in extreme weather conditions.  

The switch station will help in the future if another storm occurs.  This will reassure the reisdences of the city that power will be restore quickly or they will not loose power all together. Along with that the switch station is not an eye sore, the residence of Newark made it very clear that was on of the requirements that the facility not be ugly.  

This article.video explains how a bunch of grade school children decided to learn how to prepare for emergency storm situations.  The FEMA for kids organization came to First Avenue School in Newark, NJ and put on a presentation how to plan and organize when a disaster stricks.  The FEMA organization explained how to keep your pets safe what you need to have availiable for your pet, food, blanket's etc.  They also reviewed first aid kits and what to place in the kits, bandages, antibotics, bandaids. etc.

The author of this article obviously toured the facility to see the structure of the switch station, the author states that most switch stations are ugly, but when you combine art to the walls it can be quite pleasing to the eye.  The author also spoke with the Mayor of the City of Newark to get his take on the development and the purpose.  

 "The Secret Sauce" "Mayor Ras Baraka jokingly called the art/collaboration joked about Newark’s seemingly forever-ongoing revitalization. Alluding to the process that created the building he stood in front of, Baraka called art and collaboration—between public and private, between community and architect—the “secret sauce” of successful neighborhood revitalization".

stated by David Adjaye  “What I’ve learned in architecture and design is that, when the opportunity seems complicated, that’s when your creativity has to rise to that opportunity,” firm principal David Adjaye told the crowd. 

The article points out how in need the city was of the switch station, after Super Storm Sandy, many over half of the residents were out of power, this due in large to the poor infrastructure and the way it handled overloads when a diasester hit.  The switch station would elimnate all of those issue by upgrading the infrastructure to handle issues in extreme weather conditions.  

Newark recommends certain safety measures before and during dangerous storms and hurricane's.  

Newark recommends to have diaster supplies handy such as: 

flashlights, batteries, first aid kit, emergency food and water, non electric can opener, medicines, cash on hand, also study shoes.

The City of Newark recommended safety measures.  

They suggest to make plans to secure your property by clearing loose and clogged rain gutters, if you can consider building a safe room, prepare emergency supply kits filled with gallons of water, food, board up windows and doors.  Trim shrubs around your house.  Have a battery operated radio and tv if possible.  Turn off propane tanks.  charge all mobile devices.  

The author of this article obviously toured the facility to see the structure of the switch station, the author states that most switch stations are ugly, but when you combine art to the walls it can be quite pleasing to the eye.  The author also spoke with the Mayor of the City of Newark to get his take on the development and the purpose.  

 "The Secret Sauce" "Mayor Ras Baraka jokingly called the art/collaboration joked about Newark’s seemingly forever-ongoing revitalization. Alluding to the process that created the building he stood in front of, Baraka called art and collaboration—between public and private, between community and architect—the “secret sauce” of successful neighborhood revitalization".

stated by David Adjaye  “What I’ve learned in architecture and design is that, when the opportunity seems complicated, that’s when your creativity has to rise to that opportunity,” firm principal David Adjaye told the crowd.