Skip to main content

Search

Elena Sobrino: anti-carceral anthropocenics

elena

Why is the rate of incarceration in Louisiana so high? How do we critique the way prisons are part of infrastructural solutions to anthropocenic instabilities? As Angela Davis writes, “prisons do not disappear social problems, they disappear human beings. Homelessness, unemployment, drug addiction, mental illness, and illiteracy are only a few of the problems that disappear from public view when the human beings contending with them are relegated to cages.” One way of imagining and building a vision of an anti-carceral future is practiced in the Solitary Gardens project here in New Orleans: 

The Solitary Gardens are constructed from the byproducts of sugarcane, cotton, tobacco and indigo- the largest chattel slave crops- which we grow on-site, exposing the illusion that slavery was abolished in the United States. The Solitary Gardens utilize the tools of prison abolition, permaculture, contemplative practices, and transformative justice to facilitate exchanges between persons subjected to solitary confinement and volunteer proxies on the “outside.” The beds are “gardened” by prisoners, known as Solitary Gardeners, through written exchanges, growing calendars and design templates. As the garden beds mature, the prison architecture is overpowered by plant life, proving that nature—like hope, love, and imagination—will ultimately triumph over the harm humans impose on ourselves and on the planet.

"Nature" here is constructed in a very particularistic way: as a redemptive force to harness in opposition to the wider oppressive system the architecture of a solitary confinement cell is a part of. It takes a lot of intellectual and political work to construct a counter-hegemonic nature, in other words. Gardeners in this setting strive toward a cultivation of relations antithetical to the isolationist, anti-collective sociality prisons (and in general, a society in which prisons are a permanent feature of crisis resolution) foster.

Elena Sobrino: toxic capitalism

elena

My interest in NOLA anthropocenics pivots on water, and particularly the ways in which capitalist regimes of value and waste specify, appropriate, and/or externalize forms of water. My research is concerned with water crises more generally, and geographically situated in Flint, Michigan. I thought I could best illustrate these interests with a sampling of photographs from a summer visit to NOLA back in 2017. At the time, four major confederate monuments around the city had just been taken down. For supplemental reading, I'm including an essay from political theorist Adolph Reed Jr. (who grew up in NOLA) that meditates on the long anti-racist struggle that led to this possibility, and flags the wider set of interventions that are urgently required to abolish the landscape of white supremacy. 

Flooded street after heavy rains due to failures of city pumping infrastructure.

A headline from the same week in the local press.

Some statues are gone but other monuments remain (this one is annotated).

A Starbucks in Lakeview remembering Katrina--the line signifies the height of the water at the time.

Reading:

Adolph Reed Jr., “Monumental Rubbish” https://www.commondreams.org/views/2017/06/25/monumental-rubbish-statues-torn-down-what-next-new-orleans

P.S. In case the photos don't show up in the post I'm attaching them in a PDF document as well! 

The referenced media source is missing and needs to be re-embedded.

Copyright Basics

Website with an excellent (and brief) explanation of fair use to copyrighted materials, along with a useful fair-use checklist that can be used to assist in fair-use analysis.

pece_annotation_1476117255

Andreas_Rebmann

They also have a fantastic list of these on their website:

Alliance for Global Justice is an organization that seeks to achieve social change and economic justice by helping to build a stronger more unified grassroots movement.

Arts and Democracy builds the momentum of a growing movement that links arts and culture, participatory democracy, and social justice.

Cowbird is a community of storytellers and the beautiful platform that we partnered with to collect and display stories in our first year.

Coney Island Generational Gap is a youth group in Coney Island that organizes work programs, arts opportunities and media courses for more than one hundred youth in the neighborhood.

El Centro is a storefront immigrant day worker center in Port Richmond, Staten Island.

Housing is a Human Right is a creative storytelling project that aims to help connect diverse communities around housing, land, and the dignity of a place to call home.

Interoccupy.Net fosters communication across the Occupy movement.

Land of Opportunity is an ongoing trans-media documentary that captures the struggle to rebuild New Orleans, one of America’s most beloved and emblematic cities. We partnered with Land of Opportunity on Katrina/Sandy.

New York Public Library has been an essential provider of free books, information, ideas, and education for all New Yorkers for more than 100 years.

New York Writers Coalition provides free creative writing workshops throughout New York City for people from groups that have been historically deprived of voice in our society.

Occupy Sandy is a mutual aid network responding to the ongoing crisis in the wake of Hurricane Sandy.

Parsons: New School for Design has been a pioneer in art and design higher education since its founding in 1896.

Project Hope offered free and confidential supportive counseling and public education services to Hurricane Sandy disaster survivors in New York City and Nassau, Suffolk, Rockland, and Westchester Counties in the immediate aftermath of the storm.

Research Action Design (RAD) uses community-led research, transformative media organizing, technology development, and collaborative design to build the power of grassroots social movements.

The Beacon School is a public magnet high school on the Upper West Side that offers an inquiry-based college preparatory program with technology and arts infused throughout the curriculum.

The Hudson School is a private school in Hoboken, New Jersey, that provides intellectually inquisitive students in grades 5-12 with a rigorous and relevant college-preparatory education.

The MIT Center for Civic Media works hand in hand with diverse communities to collaboratively create, design, deploy, and assess civic media tools and practices–including the text and phone technology that Sandy Storyline uses.

YANA (You Are Never Alone) is a worker training center and hurricane relief hub in Rockaway Park.

pece_annotation_1476632897

Andreas_Rebmann

"At this point, the burden of mental disorders after disasters has been well documented, and interest in the course of trajectory of psychological symptoms following disasters is growing."

"Persons who live in a community where a disaster hsa occured may differ in their degree of exposure in the event. They may be affected directly, being present at the disaster site, or indirectly, having loved ones present at the disaster site or seeing images of the disaster in the media."

"Ongoing stressors such as job loss, property damage, marital stress, physical health conditions related to the disaster, and displacement are often experienced by those affected by the disaster... Low levels of and reductions in social support are also associated iwth post-disaster psychological symptoms."

pece_annotation_1478461650

Andreas_Rebmann

Professor Adriana Petryna teaches Anthropology at UPenn. She focuses on science and technology, globalization and health, and medical anthropology. Her focuses are intertwined with DSTS Network at times, studying incidents of interest such as this article on Chernobyl, and at other times focuses on systemic health issues in socities.