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Anthropocene psychologies (or psychopathologies) have some similarities to the decadence and denialism of late socialism in central and eastern Europe that is one of my research interests. As ecological disasters, particularly in the coal regions of northern Bohemia; the most polluted area of europe at the time) gave the lie to the Party line of progress and prosperity, a comforting veil of ideology allowed leaders and many citizens to go about their business "as if" there were no looming crisis. In his New Year's address after becoming the first post Communist president of Czechoslovakia, dissident playwright Vaclav Havel made this connection clear, describing the destroyed environment as an undeniable symptom of modern humanity's disconnection from the natural world and a "contaminated moral environment." As outlined in the work of historian Miroslav Vanek (see our article "Ecological Roots of a democracy movement") , the ecological crisis was deeply entwined with a political crisis that eventually led to the collapse of the Communist state in Czechoslovakia in 1989. Havel's critique was not just of Communist ideologies, but of ideologies of technologival civilization and modernity in general:

"What we call the consumer and industrial (or postindustrial) society, and Ortega y Gasset once understood as "the revolt of the masses," as well as the intellectual, moral, political, and social misery in the world today: all of this is perhaps merely an aspect of the deep crisis in which humanity, dragged helplessly along by the automatism of global technological civilization, finds itself. The post-totalitarian system is only one aspect-a particularly drastic aspect and thus all the more revealing of its real origins-of this general inability of modern humanity to be the master of its own situation. The automatism of the posttotalitarian system is merely an extreme version of the global automatism of technological civilization. The human failure that it mirrors is only one variant of Ihe general failure of modern humanity. This planetary challenge to the position of human beings in the world is, of course, also taking place in the Western world, the only difference being the social and political forms it takes- Heidegger refers expressly to a crisis of democracy. ... It may even be said Ihat the more room there is in the Western democracies (compared to our world) for the genuine aims of life, the better the crisis is hidden from people and the more deeply do they become immersed in it. It would appear that the traditional parliamentary democracies can offer no fundamental opposition to the automatism of technological civilization and the industrial-cousumer society, for they, too, are being dragged helplessly along by it. People are manipulated in ways that are infinitely more subtle and refined than the brutal methods used in the posttotalitarian societies. But this static complex of rigid, conceptually sloppy, and politically pragmatic mass political parties run by professional apparatuses and releasing the citizen from all forms of concrete and personal responsibility; and those complex focuses of capital accumulation engaged in secret manipulations and expansion; the omnipresent dictatorship of consumption, production, advertising, commerce, consumer culture, and all that flood of information: all of it, so often analyzed and described, can only with great difficulty be imagined as the source of humanity's rediscovery of itself." (Power of the Powerless, 1978)

Might movement, both forced and voluntary, be a defining characteristic of the anthropocene? If not, where might this quality find a home within the analytic questions? 

In preparation for the field school I am reading Edward Baptist's The Half Has Never Been Told. Chapter 1, 'Feet', tells the history of the forced migration of slaves from northern coastal plantation colonies to the south. Men and Women, chained together by iron were forced to walk in coffles to South Carolina or Georgia. As Baptist writes 

Men of the chain couldn’t act as individuals; nor could they act as a collective, except by moving forward in one direction. Even this took some learning. Stumble, and one dragged someone else lurching down by the padlock dangling from his throat. Many bruised legs and bruised tempers later, they would become one long file moving at the same speed, the same rhythm, no longer swinging linked hands in the wrong direction (25).

One of the arguments presented in this book is that American capitalism, as we know it today, would be impossible without the the foundations put in place by slave labor. The early chapters also make clear that forced migration, the movement and redistribution of enslaved persons, allowed for the southern states to expand agricultural production and increase white wealth. This eventual transformation of land and capital was predicated on the movement of peoples from one place to another, and as the passage above suggests, this movement had a rhythm, a timbre, a musical modality. 

I contrast this with Zenia Kish's article "My FEMA People": Hip-hop as disaster recovery in Katrina Diaspora where she argues that the music that emerged following Katrina was the first time American hip-hop engaged with "the thematic of contemporary black migration as a mass phenomenon in any significant way" (674). This article also draws attention to the rhythms of post Katrina life; the call and response of Bounce, the vibrations of trauma. Although lyrical expression proved the most potent way for artists to narrate the impact of environmental change and political neglect, the music itself was borne out of the experience of moving through and with disaster. 

Both writings point to the importance of further exploring the rhythms of mobilities as they relate to environmental transformations. I'm struggling to see where this point of inquiry maps to the analytic questions and may be worth some further exploration. 

Baptist, Edward. The Half Has Never Been Told: Slavery and the Making of American Capitalism. Basic Books. New York. (2014)

Kish, Zenia. “"My FEMA People ": Hip-Hop as Disaster Recovery in the Katrina Diaspora.” American Quarterly. 61, no. 3 (2009): 671–92.

Thinking about the theme of this campus and after reviewing the material on the Whitney plantation, I was pondering the connections between the history of slavery in Louisiana and the industrial/technical implications and affects of the Anthropocene. I remembered a book by Andrew Nikiforuk called “The Energy of Slaves” (shout out to L Cohen fans)) which draws clear historical and technical parallels between the energy regimes of slavery and the petrochemical industry. Thought it might be interesting/relevant.

From the Greystonebooks publisher’s description:

“A radical analysis of our master-and-slave relationship to energy and a call for change.

Ancient civilizations routinely relied on shackled human muscle. It took the energy of slaves to plant crops, clothe emperors, and build cities. In the early nineteenth century, the slave trade became one of the most profitable enterprises on the planet, and slaveholders viewed religious critics as hostilely as oil companies now regard environmentalists. Yet when the abolition movement finally triumphed in the 1850s, it had an invisible ally: coal and oil. As the world's most portable and versatile workers, fossil fuels dramatically replenished slavery's ranks with combustion engines and other labour-saving tools. Since then, oil has transformed politics, economics, science, agriculture, gender, and even our concept of happiness. But as Andrew Nikiforuk argues in this provocative new book, we still behave like slaveholders in the way we use energy, and that urgently needs to change.

Many North Americans and Europeans today enjoy lifestyles as extravagant as those of Caribbean plantation owners. Like slaveholders, we feel entitled to surplus energy and rationalize inequality, even barbarity, to get it. But endless growth is an illusion, and now that half of the world's oil has been burned, our energy slaves are becoming more expensive by the day. What we need, Nikiforuk argues, is a radical new emancipation movement.”

Also book review @: https://www.macleans.ca/culture/books/review-the-energy-of-slaves-oil-and-the-new-servitude/

If the Anthropocene epoch is characterized by a decadent, mutually destructive dance of human and physical geographies, then New Orleans is the perfect host city. Founded on the exploitation of both human and natural resources, built on the shifting sands of the delta, stripped of natural defenses, sitting below sea level with only earthen levees and ancient pumps keeping out the toxic waters of the Mississippi, Lake and Gulf, the city is a model of social and environmental injustice and unsustainability. The drunk staggering home past the trash and vomit on Bourbon street singing Jock-a-mo while the rats scurry, the levees seep and storm clouds gather in the Gulf is a good metaphor for the state of the planet and human civilization in the current epoch.

Yet, despite the intractable problems of decaying infrastructure, inequality, corruption and the constant threat of disaster, a stubborn spirit of grit, resilience, and even joy somehow endures. I first visited New Orleans in 2007. While the CBD and tourist quarters were open for business, heaps of steaming, mouldering debris still littered the lower 9th ward and outlying districts and half the population remained displaced, the majority-minority of whom labelled “refugees” in their own country. The hurricane had blown the sequins off the Big Easy’s carefree façade, stripping away the ideological veneer and laying bare its stark inequities, yet its soul was somehow intact*.

The criminal incompetence and indifference of the emergency response to Katrina (I remember tractor trailers full of supplies idling for days in Gloucester, MA waiting for instructions from FEMA) illustrated how there is no such thing as a “natural” disaster in the Anthropocene. “Acts of God” are increasingly triggered and mismanaged by acts of man.

As a political scientist and cultural historian, I am interested in how issues of power, control, resources, and justice are framed; how such narratives are deployed and contested; and (as an geographer at heart if not by training) how these cultural systems codependently interact with the environmental systems that underwrite them. The theme of “land, life and labor” exploitation of the New Orleans campus seems to me particularly salient for my interdisciplinary instincts and social science perspective. I look forward to meeting, working, and learning with you all.

*PS: The soul of New Orleans, which restored my faith in America during the dark years of the W administration (remember when we thought it couldn’t get worse?), is also what led my daughter to adopt the city as her own for the past five years, and inevitably led her parents to keep a wary weather eye on the Gulf and cancer alley. Actually both my daughters (like all sons and daughters of their generation) are on the front lines of the Anthropocene, as my youngest is a budding environmental scientist. So, my desire to understand the systems and scale of these issues is personal as well as political.

I am currently at the Ecological Society of America annual conference, so I am a bit limited on time to dig into New Orleans. I want to share the link below to the NoLA Urban Water plan. Even the nomenclature of 'urban water' allows us to think a bit deeper about how natural resources take on new characteristics, transformations, and meanings based on the spaces they inhabit. For instance, what does it mean for water to be Urban and how might that designation change how it is governed or interpreted?  

Furthermore, in thinking through the Field School's call to investigate Slavery and Labor, what might be the work of creating specifically urban waters? What forms of scientific knowledge and technological devices make urban water legible?

In asking these questions I'm thinking through a recent presentation I saw by Billy Hall who called attention to the wedding of environment and race in Baltimore City as a mechanism to encourage policies of segregation. I'm inclined, as we move into New Orleans, to think further on this provocation to examine how powerful social perceptions are wedded to techniques of governance to achieve publicly oriented outcomes. 

https://livingwithwater.com/blog/urban_water_plan/about/

Zoning – Percent of Watershed Area
Commercial – 12.7%
Educational - 0.0%
Hospital – 1.3%
Industrial – 45.8%
Office – 1.3%
Open Space – 7.4%
Residential Detached 1.6%
Residential High Density Row House - 20.1%
Residential Mixed Use -1.7%
Residential Multifamily – 0.2%
Residential Low Density Row House – 3.7%
Residential Traditional – 1.1%
No Data – 3%

Land Use Type - % Watershed Area 

Barren Land - 2.4% 
Commercial -7.0% 
Forest - 1.9% 
High Density Residential - 25.9% 
Medium Density Residential - 1.4% 
Low Density Residential - 0% 
Industrial - 42.0% 
Institutional - 7.4% 
Other Developed Land -7.8% 
Transportation - 3.0% 
Wetland - 0% 
Water -1.3% 

Property Ownership – Percent of Watershed Area

City Owned – 12.8%
Private – 37.3%
Right of Way – 23.1%
Rail Roads – 25.4%
State Owned – 2.2%
Federal Owned – 0.5%

The environmental legacies left behind by industrial production are pervasive in the air, the soil, and the water. This elemental elixer surrounds us.

In the field of STS, it is perhaps obvious to suggest that institutions have cultures, norms, standards, and professional ways of being. Yet, what are we to make of the results of industry telling its own past publically. The corporate origin story could be a footnote in Joseph's Campbells work. The allure of the lone individual working tirelessly until an innovation is produced and the market takes over. 

Yet, the Wood River Refinery tells a different story. One about place, about people, about the terrible minutia of life lived within bureaucracy. Yes, the story told is glossy and teleological, but the question emerges. What can be learned about the stories industry tells about itself? What do these artifacts contribute to histories and what weight do we give to these stories within the Anthropocene?

The factory at Wood River is both a place where labor is maximized for profit, but also where worker devote 40 precious hours of their week. Lives persist and even thrive in the factory. Are the stories of these lives at Wood River?